Split a stereo recording into separate left and right files

Load a stereo file and get two mono WAV files back, one with only the left channel and one with only the right, plus a small table of each channel's peak and RMS level.

Live demo · real result from this tool

Drop your audio file here

or paste with Ctrl+V · nothing is uploaded

Your result appears here — processed on your device.

Processed on your device — nothing is uploaded.

How to use the channel splitter

  1. Add a stereo or multichannel file. MP3, M4A, WAV, OGG, FLAC, WebM, and the audio of MP4, MOV or MKV video are accepted.
  2. Choose Save each channel as: WAV 16-bit or WAV 24-bit.
  3. Press Split channels.
  4. Download each file. A stereo input gives name-left.wav and name-right.wav. The Channel levels table lists the Peak and RMS of each one.

A mono file returns “This file is mono — there is only one channel to split.”

What it does and when to use it

Splitting is useful when the two channels hold different things:

  • Two-microphone interviews and podcasts recorded with one person per channel, so each voice can be cleaned and levelled on its own.
  • Camera audio where a lapel mic is on one channel and the camera’s own microphone on the other. Keep the better one.
  • Test and measurement, for example a reference signal on the left and the device’s output on the right.
  • Checking a recording where one side sounds wrong. The level table quickly shows a dead or much quieter channel.

Once split, bring a file back to two channels with mono to stereo, level each one with the audio normaliser, or join them end to end with the audio merger.

How it works

The file is decoded in a Web Worker on your device into one list of samples per channel. Each list is copied unchanged into its own one-channel WAV at the source’s sample rate, as 16-bit or 24-bit PCM. Nothing is mixed, filtered or resampled. For the table, the tool finds each channel’s highest sample (Peak) and its root-mean-square level (RMS), both in dBFS, where 0 dBFS is full scale.

Worked example

A 10-second stereo test file, with a louder tone on the left and a quiet one on the right, produced:

Channel Peak RMS
left −6 dBFS −9 dBFS
right −20 dBFS −23 dBFS

The summary read “2 mono files · 0:10.00 each”, and each 16-bit file was 861.4 KB. The 14 dB gap between the channels is the kind of difference worth checking before you mix them.

Limits and tips

  • If both files sound identical, the source was mono saved as stereo and splitting gains nothing.
  • Output is always WAV; convert afterwards if you need a compressed file.
  • This tool has no ffmpeg option, so AIFF, AMR, WMA and CAF files cannot be opened here. Convert them first with audio to WAV, which can use the fallback.
  • Other formats depend on WebCodecs in your browser (current Chrome, Edge, Firefox, or Safari 26+). Long multichannel recordings use a lot of memory on phones.

Frequently asked questions

Can this separate the vocals from the music?
No. It splits by channel, not by instrument. In most songs the singer sits in the centre, so the voice appears in both the left and the right file.
My interview has one person on each channel. Will this separate them?
Yes, if each microphone was recorded to its own channel, as some two-input recorders and call-recording setups do. You then get one file per speaker and can edit or level them on their own.
What happens with a 5.1 or 4-channel file?
Every channel becomes its own mono WAV, named channel-1, channel-2 and so on, in the order they are stored in the file.
Why is my right file silent?
The recording only had sound on the left. The Channel levels table shows this straight away: the empty side reads silence instead of a dBFS value. Use the left file, or make it play in both ears with the mono converter.

Written by the ToolsRift team · Last updated

Pages are drafted with AI assistance and checked by automated tests. How we write and check pages.

Was this tool useful?

Report a problem

Start typing to search every tool.

↑ ↓ to moveEnter to openEsc to close